ST THOMAS’ ANGLICAN CHURCH, ROZELLE



© PdL 2005

 

St Thomas' Rozelle was built in 1874 in an Early English Gothic style to the design of Edmund Blacket, originally of brick with stone detailing, but later obscured by paintwork.  The five bay nave was built first, followed by the transepts, sanctuary and vestry.  The main façade incorporates a small bellcote rising between the two lancet windows. [1]   The interior has more recently been re-ordered, reducing the number of pews and introducing areas of open flooring.

 

Former Sydney organist, Peter Meyer, provides the following information on the organs and organists of the church:

 

A harmonium, played by Mr E.Russell accompanied services until the present Henry Jones organ was installed and dedicated by Dean Cowper in 1884. It was 'designed' by Frederick Morley and cost £315, supervision in London being carried out by Morley’s brother, Felix. Arthur Mason then became organist. He moved later to St James' King Street and to the Sydney City Organist’s position. Later organists at Rozelle included Francis Martin who composed a theme on which Alfred Hollins improvised during his tour in 1904, Lorna Trevella OAM, Lilian Frost's pupil Mrs R.P. Harrison, and Faunce Allman's pupils George Taafe, Ray Holland, and R.G. Macintosh (a founding member and first treasurer of the Organ Society of Sydney).

The choir members who helped Mr Charles Leggo to relocate the organ from the south to the north transept in 1936 included one John Kerr, later to become Governor General. S.T. Noad took over the maintenance from Leggo in 1943. Ten years later the organ narrowly escaped 'modernisation' by J.P. Eagles. For a predominantly working class congregation St Thomas had remarkably able organists and good choirs. [2]

 

The organ is rarely used today and is not in first-class condition.  It is one of only two organs by Henry Jones, of South Kensington in London, to survive basically unaltered in NSW. [3]  

 

© PdL 2005

 

Henry Jones 1884 (2/12 mechanical)



© PdL 2005

 

GREAT

 

Open Diapason

8

Rohr Flöte

8

Dulciana

8

Principal

4

Harmonic Flute

4

Fifteenth

2

 

 

 

 

SWELL

 

Lieblich Gedact

8

Gamba

8

Vox Angelica

8

Gemshorn

4

Cornopean

8

Tremulant

 

 

 

 

 

PEDAL

 

Bourdon

16

 

 

 

 

COUPLERS

Swell to Great

Swell Sub Octave

Swell to Pedals

Great to Pedal

 

 

 

Compass 56/30

 

Mechanical action throughout

 

2 composition pedals to Great

 

Hitch-down swell lever

 

No. of pipes = 622



© PdL 2005


© PdL 2005



[1] Morton Herman, The Blackets: an era of Australian architecture.  Sydney: Angus and Robertson, 1963: 151-152.

 

[2] Information on the organs provided by Peter Meyer to Mark Quarmby, June 2005.

 

[3] Rushworth, Historic Organs, 300.

 

© OHTA 2005